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This film wonderfully directed by Richard Lester offers an entirely different capture on the legendary characters of Robin Hood and Maid Marian. It’s 1199, Robin and Limited John, return to England, after King Richard the Lionheart’s death during the siege of Chal^us. Marian, now an abbess is taken from Kirklees Abbey. Robin and his followers once more prepare to fight against the Sheriff of Nottingham, their weak foe. As for the chronicle I’ll refrain from saying anything more.
‘Robin and Marian’ is about ageing, accepting life as it is. It’s a far shout from the non-stop swashbuckling of ‘The adventures of Robin Hood’ with Erroll Flynn, this movie presents all of the renowned characters in their traditional age. It shows how everyone deals with the progress of time, but offers no judgement.
Sean Connery is radiant as the obsolete Robin. With insight and passion he portrays a man who doesn’t acquire well to the passage of time. Which is sometimes painful to witness. Audrey Hepburn shines, in what I mediate is certainly one of her most spicy performances. Her gracious Marian has wisdom, intelligence, spunk and a wistful touch. Her chemistry with Connery’s Robin is shining. Their rekindled fancy is shown with a bittersweet, poignant tenderness. Which one doesn’t view often on the veil, and Audrey Hepburn and Sean Connery certainly rise to the challenge. Of the other cast members Robert Shaw and Nicol Williamson stood out for me. Shaw’s Sheriff is cunning but also fatherly (he has moved on but is serene a match for Robin) . And Williamson’s Diminutive John although staunchly actual to Robin knows very well that things are over.
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This film has a gritty, authentic medieval behold. But there are the dazzling locations of the forest to bask in. A mountainous soundtrack by John Barry heightens also the wistful mood. But the viewer gets a rather stereotypical portrayal of King John. The usual outrageous John of the legends. Also animated is the poignant symbolism of the three apples at the beginning and slay of this film.
‘Robin and Marian’ doesn’t slay the chronicle of Robin Hood and Maid Marian. To me they became very realistic and infinitely more human. Not in the least because of the astonishing performances by Sean Connery and Audrey Hepburn. No matter what, the two lovers will always be together, in the hearts and minds of people. However this film doesn’t compromise, ultimately leading to its downbeat and heartwrenching finale.
Growing up as a young reader in WASP America, it was inevitable that I should be exposed to the Robin Hood chronicle. Indeed, it was that fable, along with my young (and sinister) knowledge of Becket, Henry VIII and his wives, and King Arthur and the Round Table, which first got me to dreaming about visiting England. After my first crawl across The Pond in ‘75 to that green and first-rate land, I was crooked. Thus, it was with ample appreciate that I viewed ROBIN AND MARIAN.
How could one possibly collect fault with the casting of this film: Man’s Man Sean Connery as the aging, creaky Robin Hood, and the always fine Audrey Hepburn as the admire of his life, Maid Marian. As a bonus for the viewer, Robert Shaw and Nicol Williamson play the Sheriff of Nottingham and Puny John respectively. It doesn’t catch better than this.
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As the movie opens, Robin and faithful pal Tiny John are off in France attendant to the death of King Richard the Lionhearted (Richard Harris), after having rummaged around with the monarch on the Third Crusade. Richard’s funeral over, our two heroes return to Sherwood Forest. Robin soon learns that the modern sovereign, rank King John, has ordered the Sheriff of Nottingham to evict a group of nuns from a local abbey. As circumstance would have it, Maid Marian took the conceal in Robin’s long absence, and is now the abbey’s prioress. Despite his aching bones and stiff joints, Robin sets off to rescue his damsel-in-distress from his old-fashioned archenemy.
There are so many joys to this movie. One is watching Sean’s Robin deal with advancing age. He’s smooth young at heart, but sleeping in the damp, frigid forest isn’t what it extinct to be. Both he and Slight John are too mighty “over the hill” for such nonsense, but only the latter, with increasing skepticism, seems to realize it. Then there’s Audrey’s Marian, who isn’t at first definite that she needs the renewed attentions of her customary beau. (Audrey is so fair! They don’t obtain actresses like that anymore.) The intervening years have even had an carry out on Shaw’s Sheriff of Nottingham, making him worthy wiser in his dealings with his rascally nemesis.
Finally, the scriptwriters give their believe interpretation to the outmoded ending of the Robin Hood tale. In their hands, it becomes at least a two-hankie event. Impartial remembering it now, I’m looking for the Kleenex box. Call me a sucker, but I unbiased ate it up!
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